Trying out new modes of working to distill down to favorite symbols.
This is my first painting from imagination rather than a photo.
Larger version of endless horizon. Inspiration remains my train view
Friday, November 30, 2007
Infini painting
Third phase of train horizon. Sense of place that I normally focus on for work has broken into glimpses from a train window - seemingly disconnected bits of picturesque marsh, punctuated by refinery, housing tracts, ship graveyards, dumps and small towns. Started out building these in a square format, but am now stretching out sideways, making it up as I go.
super fav chocolate cake
1 1⁄2cups all-purpose flour
1 cup granulated sugar
1⁄4 cup natural unsweetened
cocoa powder, such as Ghirardelli or Hershey’s
1 tsp baking soda
1⁄2 tsp salt
6 Tbsp canola oil
1 Tbsp white vinegar
1 tsp pure vanilla extract
1 cup cool water
* flr in pan
* mix sug, cocoa, bak soda, salt in bowl
* whisk into flr
* add vin, van, oil to dry mix
* pour cold water over top and mix
350F (180C) @ 30 minutes or till springey
abridged from regan daleys "in the sweet kitchen"
1 cup granulated sugar
1⁄4 cup natural unsweetened
cocoa powder, such as Ghirardelli or Hershey’s
1 tsp baking soda
1⁄2 tsp salt
6 Tbsp canola oil
1 Tbsp white vinegar
1 tsp pure vanilla extract
1 cup cool water
* flr in pan
* mix sug, cocoa, bak soda, salt in bowl
* whisk into flr
* add vin, van, oil to dry mix
* pour cold water over top and mix
350F (180C) @ 30 minutes or till springey
abridged from regan daleys "in the sweet kitchen"
Wednesday, November 28, 2007
Warhola
Late train entertainment. Warhols Cousins and near familydiscussing
what they thought he created while in the USA
Day 2 on the marsh painting makes me wonder how worthwhile it is to
spend much time pre-intellectualising my pieces. Tonight, i painted
over some middle rows and turned em into an elongated horizon. I may
stick with the idea of interchangeable panels since it seems relevant
to the train view, but I'm leery pf it as a mark of indecision in
composition or (worse?) the urge to add a gimmick to make painting
have a dialogue with the current installation style art. Despite my
digi-schooling (watching documentaries of real artists)
my best effort still comes from a spontaneous place. Subject is just a
seed which ideally leads
to a flow of light and color. Deliberate efforts are currently
taking me to a dull place. Hence, some comedy...
what they thought he created while in the USA
Day 2 on the marsh painting makes me wonder how worthwhile it is to
spend much time pre-intellectualising my pieces. Tonight, i painted
over some middle rows and turned em into an elongated horizon. I may
stick with the idea of interchangeable panels since it seems relevant
to the train view, but I'm leery pf it as a mark of indecision in
composition or (worse?) the urge to add a gimmick to make painting
have a dialogue with the current installation style art. Despite my
digi-schooling (watching documentaries of real artists)
my best effort still comes from a spontaneous place. Subject is just a
seed which ideally leads
to a flow of light and color. Deliberate efforts are currently
taking me to a dull place. Hence, some comedy...
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